翻訳と辞書
Words near each other
・ Avenida Theatre
・ Avenida Vasco da Gama
・ Avenida Vieira Souto
・ Avenida Álvaro Obregón
・ Avenidas Novas
・ Avenimiento
・ Avening
・ Avening Valley
・ Avenio
・ Avenionia
・ Avenionia brevis
・ Avenionia roberti
・ Avenir
・ Avenir (given name)
・ Avenir (song)
Avenir (typeface)
・ Avenir Aleksandrovich Yakovkin
・ Avenir Bennigsen
・ Avenir Certain
・ Avenir Club Avignonnais
・ Avenir d'enfants
・ Avenir Peka
・ Avenir Suisse
・ Avenir Sumin
・ Avenir Telecom
・ Avenir Valencien
・ Avenir, Alberta
・ Avenira
・ Avenirka
・ Avenliq


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Avenir (typeface) : ウィキペディア英語版
Avenir (typeface)

Avenir is a geometric sans-serif typeface designed by Adrian Frutiger in 1988 and released by Linotype GmbH, now a subsidiary of Monotype Corporation.
The word ''avenir'' is French for "future". The font takes inspiration from the early geometric sans-serif typefaces Erbar (1922), designed by Jakob Erbar, and Futura (1927), designed by Paul Renner. Frutiger intended Avenir to be a more organic, humanist interpretation of these highly geometric types. While similarities can be seen with Futura, the two-storey lowercase a is more like Erbar, and also recalls Frutiger’s earlier namesake typeface, Frutiger.
Frutiger considers Avenir his finest work. 'The quality of the draughtsmanship – rather than the intellectual idea behind it – is my masterpiece. (...) It was the hardest typeface I have worked on in my life. Working on it, I always had human nature in mind. And what's crucial is that I developed the typeface alone, in peace and quiet – no drafting assistants, no-one was there. My personality is stamped upon it. I'm proud that I was able to create Avenir.'〔Adrian Frutiger, Typefaces. The Complete Works, (Basel: Birkhäuser Verlag, 2008), p337.〕
==Releases==
Avenir was originally released in 1988 with three weights, each with a roman and oblique version, and used Frutiger's two-digit weight and width convention for names: 45 (book), 46 (book oblique), 55 (text weight), 56 (text weight oblique), (75)85 (heavy), and (76)86 (heavy oblique). The typeface family was later expanded to six weights, each with a roman and an oblique version.
The original release of Avenir has weights grouped very close together, with the difference barely distinguishable. In his autobiography, Frutiger explains that this was a response to the effects of how people perceive colour. He intended the slightly bolder designs for white-on-black text, so they would look the same to a viewer as black-on-white.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Avenir (typeface)」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.